Blair Alston Mercer Tindall (born February 2) is an American oboist, performer, producer, speaker, and journalist.
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Tindall was born in Chapel Hill, North Carolina to American historian George Brown Tindall[1] and Carliss Blossom McGarrity Tindall. She started playing the piano at a young age and switched to oboe when joining the junior high school band; because of her surname's place in alphabetical order, she was the last person able to choose an instrument, and the only other one available was the bassoon. She attended high school at the North Carolina School of the Arts,[2] received bachelor and masters degrees from the Manhattan School of Music,[3] and a masters in communication from Stanford University,[4] which she attended on a full tuition fellowship.[5] She also attended Columbia University.
She spent 23 years as a professional musician in New York City, playing with such groups as the New York Philharmonic, Orpheus Chamber Orchestra, and the Orchestra of St. Luke's, presenting a critically acclaimed solo debut at Carnegie Recital Hall, and earning a jazz Grammy[6] nomination. She has also performed on many film soundtracks, including those of the movies Malcolm X, for which she was lauded in CD Review Magazine,[7] Crooklyn and Twilight.[8] She has also performed with Rolling Stones drummer Charlie Watts at the Blue Note jazz club.[9]
While studying at Stanford, Tindall supported herself by performing with the San Francisco Symphony and as a soloist with the San Francisco Contemporary Music Players. During this time, she was also a staff business reporter at the Examiner[10] (Hearst) and critic-at-large for the Contra Costa Times in Walnut Creek. She went on to write for The New York Times, Agence France-Presse, the Los Angeles Times, Sierra, The Sydney Morning Herald, and the International Herald Tribune. In 2005 she authored Mozart in the Jungle: Sex, Drugs, and Classical Music (Atlantic Monthly Press), a memoir of her experiences in the classical music world, which National Public Radio named one of the top five arts stories of the year.[11] Her book was also lauded by musicologist Richard Taruskin in The New Republic as "the smartest take on [the classical music] situation".[12]
Tindall taught journalism at Stanford and music at the University of California, Berkeley and Mills College.[13] She has also received residencies at the MacDowell Colony, Kimmel Harding Nelson Center for the Arts, and the Ucross Foundation.
CBS News, December 4, 2007</ref>